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In terms of creativity
my most important body of work is a semiotic abstract
series of pieces that I sometimes jokingly refer to
as "my genetically modified images". Inspired
by shapes from nature, musical icons and the human form.
I then try to orchestrate my observations including
any visual puns that come my way by the use of line.
The original draft is often a lineal composite in black
on tinted watercolour paper, some of which lend themselves
to a limited print format. Images are then developed
as mixed media at a larger scale where, if appropriate,
I add a further dimension by the use of texture, occasionally
encouraging bits of imagery to escape onto the frame.
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